Special effects have been an element nearly as old as film itself. Technology has given filmmakers many ways to make any sort of effect seem real. We’ve seen everything from make-up to special cameras to the invention of computer-generated imagery (CGI). 
The idea was always that the special effects were supposed to help further or accentuate the story and characters of the film. Nowadays, it seems like many filmmakers have forgotten this detail amid the urge to create an amazing “wow” feeling for the audience. 

In some cases, such as George Lucas and his two very different handlings of the two “Star Wars” trilogies, we can see how one person has shifted from a story-based approach to film to an effect-based approach.
           
I believe Peter Jackson is the new George Lucas. Jackson rose to fame directing the “Lord of the Rings” trilogy. I didn’t care for the trilogy because I felt it was too inaccessible for a casual moviegoer.
However, the effects mesmerized me: wizards, evil black wraiths on horseback, talking and walking trees, and who can forget Gollum, the quivering, insane little creature with an insatiable desire for the ring? Gollum, in itself, is a major achievement in film. Nevertheless, for all the accomplishments, there had to be sacrifices. Sadly, the sacrifices came from story and character development. 
           
“King Kong” was released in 2005 as a realization of Jackson’s vision to remake his favorite film. While the effects were stellar once again, I watched the film and realized that I didn’t care about any of the characters. I liked little moments in the film, one being when Ann Darrow (Naomi Watts) and Kong watch the sunset silently together. That’s about it.

Jack Black and Adrien Brody are relegated to second fiddle. The human element in the film is absolutely minimized. The whole flick could have just been Kong and Ann. 

The film drags on needlessly and the best thing about it was that it ended. It was a CGI fest. I understand Kong had to be computer generated and he is stunning, but the entire island sequence where Kong fights many old dinosaurs was very overdone.

Granted, Jackson has not hit the levels of George Lucas when it comes to CGI, but he is very much teetering on the edge of technology taking precedence over good storytelling and strong characters.
           
The rise to the top of film is a tough, long climb. So is the fall from the mountain.